Where was the motivation in that? West illustrates his complete lack of remorse: But the play itself shows clearly enough that Iago goes off as he comes on, devoid of conscience, with no remorse. Iago first comforts Cassio asserting that, ?Reputation is an idle and most false imposition, oft got without merit and lost without deserving? He must have expected the possibility of being captured, of being revealed as the mastermind; of being guiltily caught red handed with the bloodstained puppets hanging from his fingers. In an essay, discuss why honesty-or the reputation for being honest or the lack of honesty-is so important in Shakespeare's Othello. Indeed soliloquy play a significant part in Othello, and Shakespeare’s works as a whole; and House of Cards shares this similarity. Iago has a reputation for honesty, for reliability and direct speaking. * Animals Iago and Othello Nobles in the play will often speak in iambic pentameter, making their The band maintained a rotating membership of musicians and visual artists to ensure no two experiences would be the same. This is thy work. Schapiro states that it’s incorrect to state Iago does not have a motive, or that his motive is meaningless. Iago doesn’t really believe in these motivations. Good night. Psychoanalysis and the problem of evil: Debating Othello in the classroom. Schapiro’s assessment, however, is still valid and very interesting. Iago believes that women are controlled by their sexual desire, and that in her insatiable appetite Desdemona will surely grow tired of Othello’s sexual prowess (who being black, is surely inferior to whites). If you wish to divide the play into proactor and reactor; Iago is the one who instigates most of the interactions, conflict and action. These men have also duped almost everyone around them and, in Iago’s case this has devastating consequences. Roderigo eventually begins to question Honest Iago, saying "I think it is scurvy, and begin to find myself fopped in it." [Act IV, Scene II, Line 189]. Iago knows Othello’s weakness and tells it to the audience because it is a major factor in the success of his plan. Even in Act 5 Scene 2, after he has killed Desdemona and when Emilia stoutly defends Desdemona’s innocence, he still maintains he is right because Iago said so: A storm has dispersed the Venetian fleet so that Cassio arrives first, anxious for Othello's safety. A viewer of House of Cards doesn’t leave without, frankly, being shocked by how manipulative Frank is and how weak and defenseless the other characters are in his hands. People rarely stop to consider the possibility that Honest Iago could be deceiving them or manipulating them. Eve Sedgwick coined the idea of the “Homosocial continuum.” Her argument involves gender, class, and hierarchical relationships. But from the start he makes a fool out of Roderigo and takes advantage of him. Iago, most of all is portrayed as the “villain” or “protagonist in the play. An antagonist that justifies their terrible actions with ‘the Greater Good’ or some other inconsequential or weak rationalization is one we have all seen before. Each plot point is spiraled further into tragedy due to the nature of Iago and his manipulative language, drama Othello, the battle between good and evil creates the basic root of human nature as a whole. Lawless, Jill. Iago makes a complete fool out of Roderigo. The relationships that most interestingly relate to the homosocial continuum are Desdemona and Emilia, Iago and Roderigo, and Iago and Othello, much. Iago is stating in the first few lines how being honest and portraying qualities of honesty can be harmful and not safe, even when Iago calls Cassio a fool. ‘Motiveless malignity’ is incorrect, in my estimation. We can deduce something from this; the reason why Iago did all the terrible things he did, his motivation, is: Many of Iago’s actions are not concurrent to what one would call ‘normal’. When devils will the blackest sins put on, They do suggest at first with heavenly shows. When he introduces his advice to Cassio with the phrase "As I am an honest man," he is not speaking of honesty in the sense of sincerity but as a man of honest carriage who controls his passions and only speaks after careful consideration. He isn’t concerned with justifying his opinion through motives because they are irrelevant to him. For his quick hunting, stand the putting on. I really haven’t given it the attention and assessment it deserves but it is perhaps something I’ll go over more thoroughly later. IAGO. Underwood is just as ruthlessly driven and manipulative as Iago; perhaps more so. Once more, if Othello feels this way, then Cassio, who admires Othello and follows his leadership, will also believe that Iago is an honest man. This is an increasingly important issue in a time where more and more young people can’t tell the difference between partisan, sponsored content and reliable unprejudiced news. I do concede that yes, normal human beings don’t murder, manipulate and lie without a reason or a motive; but Iago is an exception. Through the use of dramatic irony and characterization Shakespeare creates Iago, the most sinister character in all of literature. Good night. For balance, Emilia gives a cynical woman's view of men in Act V. Iago meanwhile watches Cassio, seeking a weakness that he can exploit. Once the chaos has started, it continues a chain that continues along until the very end where the balance finally restores itself as it would in human nature. [1] Iago, it seems, is accounted an honest man, a man of worldly wisdom whose judgment is sought for by both Cassio and Othello. Every character but one is tainted, and even the innocent Desdemona falls a vic- tim to the poisonous air she is compelled to breathe. Iago is the manipulative and omniscient puppet master of Othellothat seemingly controls everything from behind the scenes. In personal suit to make me his lieutenant. And yet at the end of it all, he is triumphant. At the end of things, Iago murders and lies and plots and knows that it’s wrong. He has created a spectacularly intelligent and manipulative villain. I disagree with this opinion. Two dead and one wounded, and honest Iago is still left behind to cackle at his dominion while the marionettes hang limply from the puppet-master’s fingers. While at first, order exists in the lives of the Othello and Iago, through dramatic events and manipulation, the balance becomes unstable and starts to shift into chaos. CASSIO : Welcome, Iago; we must to the watch. That she may make, unmake, do what she list, With his weak function. Iago’s character is consumed with hatred and envy. She was too fond of her most filthy bargain. I didn’t do anything to initiate such a mean and nasty thing for him to do to my car.” A number of responses referred to Iago and evildoers in general as simply being “crazy.” Some of the more thoughtful responses, however, expressed doubts. This really is illustrated most clearly when Iago mentions his “suspicions” of Emilia cheating on him in his soliloquy. to. The reason why he is so alien to most of us, so different in how he thinks and acts is because he thinks differently. “All you have to do is watch the 6 o’clock news every night. 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